Showing posts with label rhetoric. Show all posts
Showing posts with label rhetoric. Show all posts

Sourcebook on Rhetoric (Rhetoric and Society series) Review

Sourcebook on Rhetoric (Rhetoric and Society series)
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Sourcebook on Rhetoric (Rhetoric and Society series) ReviewThis is a must for anyone writing a thesis or dissertation in the area of rhetoric. Each entry is mainly an overview of a rhetorical concept, with a list of further sources.Sourcebook on Rhetoric (Rhetoric and Society series) Overview
This book is designed to introduce readers to the language of contemporary rhetorical studies. The book format is an alphabetized glossary (with appropriate cross listings) of key terms and concepts in contemporary rhetorical studies. An introductory chapter outlines the definitional ambiguities of the central concept of rhetoric itself. The primary emphasis is on the contemporary tradition of rhetorical studies as it has emerged in the discipline of speech communication.

Each entry in the glossary ranges in length from a few paragraphs to a short essay of a few pages. Where appropriate, examples are provided to further illustrate the term or concept. Each entry will be accompanied by a list of references and additional readings to direct the reader to other materials of possible interest.




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The Political Language of Islam (Exxon Lecture Series) Review

The Political Language of Islam (Exxon Lecture Series)
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The Political Language of Islam (Exxon Lecture Series) ReviewThis book is very unlike Bernard Lewis' other writing on Islam. "What Went Wrong" is much more accessible to the general reader and I recommend it highly. If, however, you have read most of Professor Lewis' work, and want to continue through his opus, then this will be your cup of tea. The book's title cannot be taken too literally; the subject is the derivation and meaning of words in the major Middle Eastern languages. The bulk of the book consists of his contrasting the usage of Islamic vocabularies with the counterpart words in English, and occassionally, Romance languages. It is fascinating, but even for a reader interested in linguistics, it becomes a blur. The Arabic ( both classic and modern), Turkish, Iranian (and often Hebrew) words flash by. With Islam in the news so much these days, the general reader will recognize some of them, such as "sadr," as in Sadr City, the slum in Baghdad. It turns out that the Arabic word means "chest" literally, but has come to mean centrality, leadership, command. In Turkish it is part of the Grand Vizier's title. It is true, too, that the reader will learn much about the Qur'an, the Traditions of the Prophet, and of sharia, the Muslim law. For instance, since the principal function of government is to enable the individual Muslim to lead a good Muslim life, there is no thought of the separation of church and state. Also, since there is no clerical bureaucracy, there is no formal theocracy, although most Muslims believe that the Prophet Mohammed was the giver of all law. It is a brief 116 page book, and the notes and index comprise a third of its volume. Notwithstanding my admiration of Professor Lewis, I cannot recommend this book to any but Islamic-language speaking people. With their strange, and meaningless, diacritical marks, the foreign words cannot be held in memory once the page is turned, and the import of the exposition is lost.
If you wondered why a celebrated Princeton Professor's book was published by the University of Chicago, it is because it is based on a series of lectures sponsored by the University of Chicago back in 1986. The book was published two years later, and is still in print. You may also be surprised to see that half of the back cover encomiums are from reviewers with Arabic names. This is because there is not one critical, cynical, or condecending word against Islam. It is a throroughly neutral treatment of a topic which was twenty years ahead of its time.
Keep in mind, too, that these chapters were written separately, although with a unifying theme. The result is that some chapters are less "linguistically intensive" than others. For instance, the chapter titled "War and Peace" is a good read on the fundamentals of jihad, and is less of an Arabic vocabulary study than the other chapters are. If you have time for only one chapter, this is it.The Political Language of Islam (Exxon Lecture Series) OverviewWhat does jihad really mean? What is the Muslim conception of law? What is Islam's stance toward unbelievers? Probing literary and historical sources, Bernard Lewis traces the development of Islamic political language from the time of the Prophet to the present. His analysis of documents written in Arabic, Persian, and Turkish illuminates differences between Muslim political thinking and Western political theory, and clarifies the perception, discussion, and practices of politics in the Islamic world."Lewis's own style, combining erudition with a simple elegance and subtle humor, continues to inspire. In an era of specialization and narrowing academic vision, he stands alone as one who deserves, without qualification, the title of historian of Islam."—Martin Kramer, Middle East Review"A superb effort at synthesis that presents all the relevant facts of Middle Eastern history in an eminently lucid form. . . . It is a book that should prove both rewarding and congenial to the Muslim reader."—S. Parvez Manzor, Muslim World Book Review"By bringing his thoughts together in this clear, concise and readable account, [Lewis] has placed in his debt scholars and all who seek to understand the Muslim world."—Ann K. S. Lambton, Bulletin of the School of Oriental and African Studies"[Lewis] constructs a fascinating account of the ways in which Muslims have conceived of the relations between ruler and ruled, rights and duties, legitimacy and illegitimacy, obedience and rebellion, justice and oppression. And he shows how changes in political attitudes and concepts can be traced through changes in the political vocabulary."—Shaul Bakhash, New York Review of Books

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The Oxford Essential Guide to Writing (Essential Resource Library) Review

The Oxford Essential Guide to Writing (Essential Resource Library)
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The Oxford Essential Guide to Writing (Essential Resource Library) ReviewWhatever your experience or expertise as a writer, you can always benefit from new techniques for fleshing out ideas, developing technique or revising work, not to mention brushing up on the rules of punctuation, grammar and style.
All of this and more is covered in tremendous detail in The Oxford Essential Guide to Writing.
Author Thomas Kane, who also penned other guides for Oxford, explains the premise for this guide:
"Obviously, there are limits: one cannot learn to write like Shakespeare or Charles Dickens. You can't become a genius by reading a book.
"But you don't have to be a genius to write clear, effective English. You just have to understand what writing involves and to know how to handle words and sentences and paragraphs. That you can learn. If you do, you can communicate what you want to communicate in words other people can understand. This book will help by showing you what good writers do."
The Oxford Essential Guide to Writing is divided into several parts which address a variety of issues. These include:
* The Writing Process
* The Essay
* The Expository Paragraph
* The Sentence
* Diction
* Description And Narration
* Punctuation
Many shy away from writing guides, such as this. They believe it's hard work to read and even harder work to apply. Not so with The Oxford Essential Guide to Writing. It is written in an authoritative but disarming manner, scattered with poignant quotes from some of the masters of the craft, which make it accessible to scribes of all levels.
It explains in simple layperson's terms the processes and mechanics of writing. The chapters also feature practical exercises for workshopping ~ an excellent way to understand and apply what you've just read.
I particularly liked the `Drafts and Revisions' chapter, which offered some solid techniques and advice on refining work. Also the examples of style and technique from literary greats, such as Mark Twain, H.L. Mencken, E.B. White and Annie Dillard.
Another excellent writers' guide from Oxford. This is an essential reference for new and veteran wordsmiths. Newcomers will gain comprehensive instruction in the art of writing, including techniques for encouraging creativity, organizing thoughts and clear writing. As for experienced scribes, this guide will remind you what you've forgotten and, most importantly, it will help you add that `something missing' to your writing.
-- Michael Meanwell, author of the critically-acclaimed 'The Enterprising Writer' and 'Writers on Writing'. For more book reviews and prescriptive articles for writers, visit www.enterprisingwriter.comThe Oxford Essential Guide to Writing (Essential Resource Library) Overview

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The Writing Center Director's Resource Book Review

The Writing Center Director's Resource Book
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The Writing Center Director's Resource Book ReviewThe Writing Center Director's Resource Book is a must have for anyone involved in the management of a writing center. It is a thorough look into the historical, financial, organizational and philosophical aspects of writing centers. The many writers of the chapters provide excellent insight from years of development, experimentation, failures and successes, which come from decades of collective experience from working in writing centers to opening centers where they didn't exist.The Writing Center Director's Resource Book OverviewThe Writing Center Director's Resource Book has been developed to serve as a guide to writing center professionals in carrying out their various roles, duties, and responsibilities. It is a resource for those whose jobs not only encompass a wide range of tasks but also require a broad knowledge of multiple issues.The volume provides information on the most significant areas of writing center work that writing center professionals--both new and seasoned--are likely to encounter. It is structured for use in diverse institutional settings, providing both current knowledge as well as case studies of specific settings that represent the types of challenges and possible outcomes writing center professionals may experience. This blend of theory with actual practice provides a multi-dimensional view of writing center work.In the end, this book serves not only as a resource but also as a guide to future directions for the writing center, which will continue to evolve in response to a myriad of new challenges that will lie ahead.

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Multimodal Composition: Resources for Teachers (New Directions in Computers and Composition) Review

Multimodal Composition: Resources for Teachers (New Directions in Computers and Composition)
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Multimodal Composition: Resources for Teachers (New Directions in Computers and Composition) ReviewAn immensely practical guide for teachers new to multimodality or afraid of it. The design of the pages is appalling, but if you can look past that, there's some helpful information here.Multimodal Composition: Resources for Teachers (New Directions in Computers and Composition) OverviewMultimodal Composition is designed to help teachers of English composition expand the modalities on which they and their students draw, to go beyond the limits of texts that rely primarily on words, and to enjoy exploring the affordances-the special capacities - of video, image and sound. This book offers faculty practical help on creating multimodal assignments and working within digital composing environments.

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